Supervision of TFMs

  • Benjamin Palmer (2018): “Trauma and the Absurd: War Representation in Phil Klay’s Redeployment” (Grade: 9, Excellent)
  • Judit Saugar (2019): “A History in Letters: War and Fiction in Mary Ann Shaffer and Annie Barrows’ The Guernsey Literary and Potato Peel Pie Society” (Grade: 9, Excellent)
  • Hana Gad (2020): “The Femme Fatale, a Mirror of Post-War Male Anxiety in Raymond Chandler’s Farewell, My Lovely (1940)” (Grade: 9, Excellent)
  • Naiara López Alcázar (2022): “Hybrid Monstrosity: Reading Ocean Vuong’s On Earth We’re Briefly Gorgeous as a Border-Crossing Representation of Trauma” (Grade: 9,5 Excellent)
  • Simran Kaur (2022): “Invisible to all but to Ourselves”: Representations of ‘Refugeeness’ in Viet Thanh Nguyen’s The Committed (2021) (Grade: 9, Excellent)
  • Joy Lang (2023): “Sex, Guts and Gore: How Bret Easton Ellis Manipulates the Reader Through Pornography and Horror in American Psycho” (Grade: 9, Excellent)
  • Lucía Marchetti (2023): “‘The Silence that cannot Speak’: Trauma and Intersectionality in Obasan by Joy Kogawa” (Grade: 8, Notable)