News and Announcements

⚖️Jornada Cooperació per la Justícia Gobal, Fundació Autònoma Solidària

🗓️24 November 2025, 9-14h

📍Sala de Juntes, Facultat de Filosofia i Lletres

I was glad to take part in the Jornada de Cooperació Universitària per la Justícia Global by presenting the activites carried out within Words Beyond War, a FAS-funded project that set out to connect university teaching with the lived experience of refugee and displaced people in Catalonia. Our aim was to create a space where students, staff, and the community could come together to reflect on war, memory, and displacement through critical and collaborative conversation.

At the heart of the project was the idea that contemporary war literature and theatre are not just disciplinary fields. They can also be tools for building connections and rethinking how we talk about conflict. Together with our research teams—G4RoC (Group for the Representation of Conflict) and POSTLIT (Beyond Postmemory Research Group)—we worked closely with KUDWA, a refugee-led association in Barcelona that supports young migrants and refugees, to bring this idea to life.

Over spring 2025, we ran three public activities:

a Storytelling Session (28 March), where KUDWA facilitators led BA, MA, and PhD students through reflective, hands-on exercises around war, migration, and memory; a Role-Play Workshop (25 April), where participants stepped into the roles of asylum seekers, border agents, journalists and more, to explore how power shapes whose stories get heard; and Singing Survival (12 June), a session featuring a talk by Dr Andrea Bellot (URV) and a performance by her TFG student Laura Jarque, where we combined academic insight with a live performance of songs from the play Ruined by Lynn Nottage to reflect on gendered violence and the aftermath of war.

The experience was genuinely transformative. Students became active participants rather than passive listeners; refugee voices moved from the margins to the centre, with many taking on the role of co-educators; and the classroom became a shared space for dialogue, creativity, and critical thought.

In the end, the project did what we hoped it would: it built a real, ongoing collaboration between the university and the refugee community through our work with KUDWA, and it showed that academic spaces can host powerful, reparative encounters that can shift how war is remembered, studied, and addressed in public life.

I am pleased to share that I have contributed an essay to the exhibition catalogue Giorni di Guerra – Days of War, produced for the project Days of War – The Photographer’s Shadow, which marks the 110th anniversary of Italy’s entry into the First World War. The event brings together historical and contemporary visual work in Venice (Ca’ Foscari Zattere – Tesa Rooms) and at the Museo della Battaglia in Vittorio Veneto.

My article, “The Dynamics of Postmemory: Visual Art as a Living Site of Remembrance”, appears in the catalogue (Italian/English) within the section The Photographer’s Shadow. It accompanies the exhibitions devoted to Heinrich Vogeler, Luigi Marzocchi, Daniil Revkovskyi & Andrii Rachynskyi, Stanislava Pinchuk and Albane de Labarthe, tracing how their engravings, stereoscopic photographs, data-maps, installations and textile works reactivate memories of war across conflicts from the First World War to Afghanistan and Ukraine.

Drawing on Hirsch’s notions of “liquid time” and the “dynamics of postmemory,” my essay argues that these images do not simply document violence; they create encounters in which past and present, analogue and digital media intersect. These works transform archives into “living” sites of remembrance, asking how war is carried forward in bodies, landscapes and museum spaces, and what kind of ethical response contemporary viewers owe to images of conflict today.

This catalogue situates visual art at the centre of current debates on memory, trauma and representation, and I am delighted to be part of this collective reflection on how images continue to shape–and trouble–our understanding of war.

At the 48th AEDEAN Conference in Vitoria-Gasteiz (12–14 November), I took part in several activities connected to our Beyond Postmemory Project.

I chaired a roundtable with our PhD students Elvira Aguilera and Cristina Franco, Dr Sara Martín, Dr Nick Spengler and Dr David Owen, where we discussed the intersections of war, trauma and ecology through the lens of environmental postmemory in contemporary Anglophone literature and culture. The contributions examined a range of literary and cultural texts, discussing memory as something carried by bodies, landscapes and fractured temporalities marked by war, and reflecting on how literature and culture can bear witness to trauma beyond the human.

I also participated in the Modern and Contemporary Literature panel, where our PhD students Elvira Aguilera and Cristina Franco, Dr David Owen and I presented individual papers that extend ongoing work within the project.

My paper, “Beyond the Banality: Assemblage, Hauntology, and the Ethics of Space in The Zone of Interest (Novel and Film)”, revisited Hannah Arendt’s notion of the “banality of evil” by shifting attention from psychology to the structural and spatial conditions that make violence possible. Drawing on Martin Amis’s The Zone of Interest and Jonathan Glazer’s film adaptation, I explored how atrocity is embedded in everyday routines and in the spatial and sensorial fabric of the concentration camp. Working with Manuel DeLanda’s “assemblage theory” and Mark Fisher’s idea of “hauntology,” I suggested that evil is not only psychological but also materially and atmospherically distributed, inviting an ethical reading of war and genocide that takes space, form and systemic complicity not just as neutral backdrops to individual agency but as crucial coordinates for understanding how violence is organised and normalised.

SAVE THE DATE

🌿Nature Remembers: War, Trauma and Environmental Postmemory

🗓️ Friday, 24th October 2025

📍Sala de Graus, Facultat de Filosofia i Lletres, Universitat Autònoma de Barcelona

We are pleased to announce that the Beyond Postmemory Research Group (POSTLIT) is hosting a research seminar on environmental postmemory in contemporary Anglophone literature, titled ‘Nature Remembers: War Trauma and Environmental Postmemory’. The event will take place next Friday, 24th October, at the Sala de Graus (Facultat de Filosofia i Lletres, UAB).

The seminar will feature presentations by research group members, who will explore a diverse range of literary and cultural texts, rethinking memory through bodies, landscapes, and temporalities damaged by war, and revealing the critical role of literature in culture as a means of bearing witness to trauma beyond the human.

We look forward to seeing you there!

On 12 June 2025, we hosted “Singing Survival: Memory, Theatre and the Afterlives of Violence” as part of the Words Beyond War initiative at the Facultat de Filosofia i Lletres (UAB). The event, framed within the Projectes d’Educació per a la Justícia Global (EpJG), and funded by FAS, invited colleagues from the Universitat de Lleida to reflect on how literature and performance can serve as ethical responses to war.

After a welcome by Dr Cristina Pividori, coordinator of the Words Beyond War project, the session opened with a brief presentation by Dr Andrea Bellot, who contextualised Lynn Nottage’s Pulitzer Prize-winning play Ruined. The presentation explored the play’s engagement with gender-based violence in the Congo and its poetic power as a theatrical testimony of war.

The heart of the session was a powerful performance by Laura Jarque, actress and TFG student, who interpreted selected songs from Ruined—the very play she has chosen as the focus of her final degree project.

The event concluded with a dynamic Q&A session, which reflected on how this event ties into the broader goals of the POSTLIT and G4RoC research projects.

📸 Below you can see some photographs from the event.

At the 2025 Memory Studies Association conference, held at Nottingham Trent University under the theme “Dynamics, Mediation, Mobilization,” Dr. Andrea Bellot and I presented our paper “Ruined Bodies and Landscapes: Theatre, Postmemory, and the Entangled Legacies of Rape and Ecocide in the Democratic Republic of the Congo.” In this joint work, we examine Lynn Nottage’s Ruined and Eve Ensler’s In the Body of the World as theatrical responses to the intertwined legacies of sexual violence and ecological destruction in the DRC. Drawing on Diana Taylor’s theories of “embodied performance,” Rob Nixon’s idea of “slow violence,” and Stacy Alaimo’s concept of “transcorporeality” we argue that these texts transform trauma—both personal and global—into a postmemorial archive inscribed in female bodies and devastated landscapes. Theatre here becomes a space of witnessing, where audiences are called to respond ethically to what continues to unfold beyond the stage.

The conference offered an exceptionally rich forum for dialogue, with an excellent keynote lecture by Ann Rigney on memory and resistance and roundtables that set the tone for rigorous and generative debate. Their reflections on mediation, affect, and the future of memory studies are of crucial importance to our own work. We were grateful for the opportunity to engage with such an active scholarly community and to contribute to ongoing conversations on the material, embodied, and ecological dimensions of memory.

On Friday 25 April March, we had the pleasure of holding a Role-Play Workshop organised as part of the “Words Beyond War” initiative. The event was a collaborative initiative between FAS (Fundació Autònoma Solidària), the KUDWA association, the Group for the Representation of Conflict (G4RoC), and the Beyond Postmemory Project (POSTLIT).

Through embodied storytelling, BA and MA students and members of KUDWA stepped into the lives of asylum seekers, border guards, war veterans, journalists, and activists. Together, we explored how truth is shaped by who tells the story—and who is silenced. The workshop challenged us to think critically about representation, voice, and the ethics of narrative in times of conflict and displacement.

From high-stakes interviews to tense editorial meetings, the scenarios pushed us to reflect and question. We’re grateful to everyone who joined and contributed so thoughtfully.

📸 Photographs from the session are shared below.

“Narratives Across Borders: Contemporary Perspectives in Literature and Culture”

📅 27th February 2025 | 📍 Sala de Graus, Facultat de Filosofia i Lletres, UAB

On February 27, we had the pleasure of hosting the 3rd SGR Seminar Barcelona-Lleida, bringing together researchers from G4RoC (Group for the Representation of Conflict, Universitat Autònoma de Barcelona) and CELCA (Centre de Literatures i Cultures en Anglès, Universitat de Lleida) for a discussion on how literature crosses borders—whether historical, geographical, or thematic—to challenge and reshape our understanding of identity, memory, and conflict.

The seminar was structured around three roundtables, each of which, in different ways, explored the narrative and theoretical frameworks that shape contemporary literary studies:

1. Literary Gerontology and Genre (Chaired by Núria Mina): Maricel Oró, Inesa Shevchenko, and Katerina Valentova (UdL) explored how literature reflects the ageing process across different genres.

2. Gender Studies in Contemporary Literature: (Chaired by Inesa Shevchenko): Esther Jiménez, Aina Díaz, and Àngels Llurda (UdL) discussed the intersections of gender, power, and representation in global literary traditions.

3. Contemporary Representations of Conflict: (Chaired by Cristina Pividori): Sara Martín, David Owen, Nicholas Spengler, Bernd Springer, and Cristina Pividori (UAB) examined how war representation continues to evolve in contemporary literature, questioning dominant narratives and offering alternative perspectives on trauma, survival, and resistance.

Thank you to all participants for their contributions! Looking forward to continuing these conversations in future editions!

I am pleased to share that my article, “Owen and Sassoon Reconsidered: WWI Trauma, Memory and Contemporary Anti-War Poetry in the Post-Everything Era’”, has been published in Tiempo devorado (vol. 10, no. 1, 2025).

The piece appears in the special issue “Cultures de desmobilització. La construcció dels excombatents i el seu impacte al món actual”, for which Dr Albert Soler Ruda served as guest editor and kindly invited me to contribute. In this context, my article examines how contemporary poets such as Carol Ann Duffy and Jackie Kay re-read and respond to Wilfred Owen and Siegfried Sassoon in the anthology 1914: Poetry Remembers.

Drawing on theories of cultural memory and postmemory, I explore how First World War poetry continues to shape the ways we imagine conflict, mourning and dissent in the twenty-first century. The article argues that the Great War remains a crucial reference point in what I describe as the “post-everything” era, and that these intergenerational poetic dialogues reactivate and transform the memory of war for new readers.

The article is available open access through the UAB Dipòsit Digital de Documents and the journal’s website.

PROYECTOS DE GENERACIÓN DE CONOCIMIENTO Y ACTUACIONES PARA LA FORMACIÓN DE PERSONAL INVESTIGADOR PREDOCTORAL ASOCIADAS A DICHOS PROYECTOS, CONVOCATORIA 2023

Literature’s ability to retell historical events and explore conflicting memories makes it a powerful tool for remembering—and sometimes forgetting—the impacts of war. Our project entitled “Beyond Postmemory: English Literary Perspectives on War and Memory in the (Post) Postmodern Era (POSTLIT)” focuses on the literary and cultural representation of war and conflict by second- and later-generation Anglophone writers as clearly distinct from first-hand accounts. Funded by the Spanish Ministry of Education (PID2023-147481NB-I00), this project will run for three years starting September 1st, 2024.

We aim to challenge and expand Marianne Hirsch’s postmemorial framework, exploring the ways in which subsequent generations engage with inherited trauma. Our research highlights a shift from depicting historical trauma to emphasizing ethical responsibilities toward future generations by using three analytical categories: the performative, the transcultural/transnational, and the imagined.

Our goal is to foster an ethical and empathetic approach to war (post)memories, by deepening our understanding of the roots and tragic impacts of conflict.

Stay tuned for updates on our journey with POSTLIT as we uncover new insights on war and memory in contemporary English literature. 

Projectes de Cooperació Universitària per a la Justícia Global
XLI Convocatòria del Fons de Solidaritat de la UAB

The goal to broaden the scope of our research and focus on the ethical issues involved in the literary and cultural representation of conflict and positively influence both UAB students and society in general has been realized through the project “Words Beyond War: Fostering Academic and Community Dialogue through Literature.” This project has been awarded funding by the Fons de Solidaritat de la UAB (Fundació Autònoma Solidària) to conduct a range of educational activities focused on awareness, debate, and conflict resolution. The key activities will include:

• Workshops on the Theatre of the Oppressed: Based on Augusto Boal’s methodology, these workshops use theatre as a tool for social and personal transformation, allowing participants to perform their own stories and reflect on power dynamics and social injustices. The main technique, “forum theatre,” invites the audience (“spect-actors”) to intervene and suggest solutions to the conflicts presented.
• Role-Playing Sessions: They focus on immersing individuals or small groups in specific characters or situations, allowing them to experience and understand various perspectives more directly. These sessions create fictional contexts where participants adopt roles and explore emotions, decisions, and consequences from the perspective of migrants or refugees.
• Storytelling Sessions: These sessions provide a platform for migrants and refugees to share their personal stories through narration and song.
• Seminars on Sensitisation and Training: Discussions on the repercussions of war, the value of memory and postmemory, and the role of literature in promoting peace.
• Pre-Activity Training Course: Intensive preparation for participants to actively engage in the proposed activities, through the promotion of empathy, intercultural understanding, and conflict resolution strategies.

These activities will be conducted in collaboration with the association KUDWA and involve various members of the academic and local community.

I am happy to announce the release of our latest edited volume, (Re)Writing War in Contemporary Literature and Culture: Beyond Post-Memory, now available through Routledge. This book represents the culmination of extensive research and collaboration with a group of international experts.

In this volume, we build upon and extend Marianne Hirsch’s concept of postmemory, exploring complex themes such as the ethical dimensions of war writing, the authenticity of representations, and the creative power of art in reimagining traumatic events. By drawing from a diverse array of conflicts, the book incorporates a rich tapestry of perspectives and insights from various disciplines, including contemporary literature, film studies, visual arts, and cultural studies.

I hope this volume will become a significant addition to scholarly discourse and a valuable resource for those interested in the intersection of history, memory, and literature.

Our SGR Group for the Representation of Conflict (G4RoC) recently participated in a seminar organized by our colleagues at CELCA (Centre de Literatures i Cultures en Anglès, Universitat de Lleida). The event covered a wide range of topics, including literary gerontology, various aspects of conflict, and the challenges posed by anthropocentric and terracentric readings in contemporary literature. Below is a selection of photographs capturing the discussions and interactions that took place among our participants and moderators.

2nd SGR Seminar Lleida-Barcelona

The 2nd SGR Seminar on Contemporary Literatures in English will be held on May 16, 2024, at the Universitat de Lleida, in the Sala Juntes room of the Rectorat building. This research seminar, coordinated by CELCA (Centre de Literatures i Cultures en Anglès, Universitat de Lleida) and G4RoC (Group for the Representation of Conflict, UAB), offers academic discussions across several themes in contemporary English literatures. Participants include scholars from the two universities, offering diverse perspectives on the following topics: “The Coming of Age of Literary Gerontology,” “Conflict: Ethics, Aesthetics and Methodologies” and “Challenging Terracentric Readings: The Ocean as the Centre of Human Development.” The seminar is open for anyone interested in the latest literary conversations and scholarly insights.

Exhibition of G4RoC Publications (Sala de Revistes, Biblioteca d’Humanitats)

Start: 11 March.

You are all invited to visit the exhibition on conflict and war organised by the SGR Group for the Representation of Conflict (G4RoC). This group brings together researchers from the Departments of English and German Studies and is dedicated to exploring the complexity of conflicts and their intersection with contemporary literature and culture. Based on a wide range of theoretical and methodological frameworks, the G4RoC investigates the relationship between memory, postmemory, and literature/culture in representing the main conflicts of the 20th and 21st centuries. The aim of this exhibition is to illuminate the complex dynamics of trauma and its impact on future generations and create new strategies that can inform more effective policies and practices in conflict resolution and peacebuilding.

2023. On December 8th, I presented my latest work at the 8th “Memory, Melancholy and Nostalgia” International Interdisciplinary Conference, that took place in Gdańsk, Poland. I had the chance to engage with fellow scholars and attendees in a dialogue about how lsabel Colegate’s The Shooting Party (1980) recreated an Edwardian period which was informed by her twentieth century knowledge. My paper, based on a chapter soon to be published in Beyond Postmemory: Rewriting War in Contemporary Literature and Culture (Routledge, Pividori, Owen, editors) examined how Isabel Colegate used nostalgia to confront the problem of historical recollection. Based on her own personal history, Colegate presented a view of the Edwardian era that both reflected her longing for an idealised past and acknowledged that this past— with its exploitation of the working classes, its male rivalry and its patriarchal and animal abuse —was not without its flaws.

By applying Linda Hutcheon’s theory of “postmodern ironic nostalgia,” I suggest that Colegate’s nostalgic tone was both self-aware and critical and that she employed ironic nostalgia to both evoke and question the Edwardian era. I ultimately claimed that The Shooting Party goes beyond a mere reflection of the past to suggest that some Edwardian traits might have persisted into the 1980s, during the height of Thatcherism.

Please keep an eye out for further updates on the official publication of the chapter!

2023. On June 21, I had the privilege to attend and present at the “Diasporic Heritage and Identity” conference held at the Amsterdam School for Heritage, Memory and Material Culture (University of Amsterdam). My paper, entitled “’Make America Great Again’: (De)Colonising Masculinities in Viet Thanh Nguyen’s The Refugees (2017),” explores the representation of displaced masculinities within the Vietnamese diaspora, drawing on Nguyen’s collection of short stories. It was an enriching experience to share and exchange insights with fellow academics and experts in the field. My paper has also been published by Amsterdam University Press (AUP), a pioneering institution in Open Access (OA) publishing. I extend my gratitude to AUP and the University of Amsterdam for the opportunity.