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- Benjamin Palmer (2018): “Trauma and the Absurd: War Representation in Phil Klay’s Redeployment”
- Judit Saugar (2019): “A History in Letters: War and Fiction in Mary Ann Shaffer and Annie Barrows’ The Guernsey Literary and Potato Peel Pie Society”
- Hana Gad (2020): “The Femme Fatale, a Mirror of Post-War Male Anxiety in Raymond Chandler’s Farewell, My Lovely (1940)”
- Naiara López Alcázar (2022): “Hybrid Monstrosity: Reading Ocean Vuong’s On Earth We’re Briefly Gorgeous as a Border-Crossing Representation of Trauma”
- Simran Kaur (2022): “Invisible to all but to Ourselves”: Representations of ‘Refugeeness’ in Viet Thanh Nguyen’s The Committed (2021)”
- Joy Lang (2023): “Sex, Guts and Gore: How Bret Easton Ellis Manipulates the Reader Through Pornography and Horror in American Psycho”
- Lucía Marchetti (2023): “‘The Silence that cannot Speak’: Trauma and Intersectionality in Obasan by Joy Kogawa”
- Estefanía Cortés (2025): “The Battlefield Within: Exploring the Connection between Trauma and Criminality in Post-war Britain in Peaky Blinders“
- Lucía Ortiz (2025): “When the truth is not enough”: Testimony, Trauma and the Power of Storytelling in The Ungrateful Refugee by Dina Nayeri”
- Nerea Menorca Hidalgo (2026): “Memories, even your most precious ones, fade surprisingly quick”: The Manipulation of memory and AI in Kazuos Ishiguro’s Never Let Me Go“
- Yomna Khreifich (2026): “Occupied Spaces: War, Memory and Space in Graham Greene’s The Ministry of Fear“
- Amy Boliter (2026): “Felt-Archive Activism: Refusing the Trafficking of Trauma in Koleka Putuma’s Hullo, Bu-Bye, Koko, Come In (2021)”
